Dima Dobrovolskij’s collage emerges from a larger body of 150 works that dissect the structure of patriarchy—not as a monolith, but as a shifting, adaptive organism. His compositions teeter between tension and play, violence and absurdity. By colliding elements from technology, nature, space exploration, and craft, he fabricates hybrid landscapes that resist clarity. Here, power hides behind opacity; what’s visible isn’t necessarily what dominates.

Layering—both visual and ideological—is central to Dobrovolskij’s practice. He rejects smooth narratives, instead cultivating spaces of friction where control unravels and new orders begin to assert themselves. “Obscured Organisms” is not concealment—it’s confrontation. A refusal to simplify. His work makes space for what doesn’t resolve, and dares the viewer to position themselves within that unresolved terrain.